All the doors of Morannon swung back wide. Out of them streamed a great man as swiftly as swirling waters (Tolkien 206). A cliff-hanging tale of good and evil, The Return of the King, written by J.R.R. Tolkien and published by Ballantine Books, is about a small hobbit, Frodo, carrying the received symbol of corruption, the ring, to the only place it can be destroyed, the involve of fire. While Frodo attempts to destroy the ring, the armies of two large peoples prepare to correct a final battle in Middle-Earth, with the victor come to the fore from the wreckage in control of all. All leads to the gigantic climax, where the fate of Middle-Earth is decided. This evident book is a great tier because of its guinea pig, setting, conflict, foreshadowing, and theme. As lively to this emblem as any, character is a strong appliance Tolkien uses to draw in his book captivating. There is one prototype of character that stuck in my mind: one of the heir and his patrimony to the royal throne. As I read, what really became apparent was the sputter of Aragorn, a descendent to the throne of Gondor, who had to either claim his kingship or shy past from his birthright.
A crucial turning acme in his taradiddle was when he healed victims of war, provoking from a bystander, the hands of a king are the hands of a healer (Tolkien 170). In this Aragorn is finally stepping into his rightful place: the ruler of Gondor. He all the same further takes leadership and responsibility of his land when he leads them into war, saying, fall out what honor you may... grant it to the last in defense of G ondor and Rohan! (Tolkien 199). Tolkiens pe! rtinent use of character adds to the intrigue of the book. While a boring story is... If you want to get a full essay, order it on our website: BestEssayCheap.com
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