Death of Socrates , pictureIn my essay I go out discerp the diachronic understand The Death of Socrates (Oil on Canvas , 51 kh771 /4 1787 , Metropolitan Museum of Art , painted by neo-classicist Jacques-Louis David . David s contr oversial delineation depicts the last moments of life of the heavy(p)est Athenian philosopher - Socrates . The organization of capital of Greece condemned Socrates for close or for exile for being an unbeliever and for his teaching method methods which awoke skeptical thinking and criticism in his disciples . Socrates accepted finale from drinking poison and heroically rejected exile . In particular , Jacques-Louis David depicted the scene where the great philosopher , surrounded by his friends , is sitting on the couch and ambit the cup of poison parsley and is pronouncing his final wordsThe controversy of the film lays in the opposition of death and life , self-restraint and the distinguish of being emotionally overwhelmed , pestiferous and frank , true and improper . The main idea of the picture - the victory of mind over death - is brightly uttered with the help of the setting distribution of light and dark . In this work I shall subdue to contemplate the different reasons for why Socrates chose to accept a penalisation of death rather than set about to use the opportunities minded(p) him to avoid the death penalty . Among the intimately probable explanations morality and martyrdom impart be taken into consideration . as well as my analysis of the picture will chassis the following characters : Socrates himself , the characters of philosopher s friends and disciples , the wife of Socrates In addition , I will set the historical background for my analysis and provide it with the essential proofs and quotations from the reliable sourcesThe author of the painting The Death of Socrates , Jacqu! es-Louis David , was born on August 30 , 1748 in a wealthy family of a Parisian merchant . He received his first pedagogy at a boarding school the Collige des Quatre Nations in his native city .
Then David became a student of a famous professor Joseph-Marie Vien (1716-1809 , who had a reputation of a sober teacher and produced a great impact on the tuition of a young artificer . From 1766 to 1774 Jacques-Louis David studied art in Vein s class at the Royal Academy of icon and Sculpture . In his paintings David created a new cult of the gracious virtues - his main characters serve as perfect models of stoical self-control , austerity , devotion to duty and honesty . Thus the workman attempted to pass his revolutionary ideas through his works and afterwards he became known as the painter of revolution . withal the modern critics of art noted that David s paintings of `martyrs of the Revolution were devised as portraits , publish , raised portraiture into the domain of the universal tragedyAt those days the roughly influential and prevalent movement in painting and just about other arts was Neoclassicism (early works in the 1960s with its greenback menstruation in the 1780s and 90s , and lasted till 1840s and 50s . Entailed by the revolution and promised land epoch , the Neoclassical period presents a distinguishing artistic style . Jacques Louis David was...If you pauperization to get a full essay, order it on our website: BestEssayCheap.com
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